This monograph originates from my work on the HAPTEX project. In - cember 2004 Prof. Franz-Erich Wolter, the head of the Institute of Man- Machine Communication of the Leibniz Universit. at Hannover, o?ered me the opportunity to participate in that EU funded project. Being a mat- matician I had only very little experience in the ?eld of haptic simulation in those days, but Prof. Wolter trusted in my ability to become acquainted with new ?elds of research in a very short time. I am still thankful for the con?dence he has shown me. Since then I indeed learned and found out a lot. With this monograph I try to pass on the knowledge I gained. Having a reader in mind who-like me at the beginning of the project-has no background in psychophysics, neurophysiologyortextileengineeringIwillprovidethenecessarybasics.The skilled reader may safely skip these parts. Nevertheless I presume some basic knowledge in mathematics. I hope that this thesis might help a newcomer to discover the fascinating ?eld of tactile simulation. This workwouldnot havebeen possible without the funding of the project "HAPtic sensing of virtual TEXtiles" (HAPTEX) under the Sixth Fra- work Programme (FP6) of the European Union (Contract No. IST-6549).
This anthology introduces representative authors from Spanish America's major literary periods, including contemporary writers. Includes complete works in a variety of genres: short stories, poetry, essays, and plays.
The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, present ideal conditions for an examination of Polish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish, and many other Eastern European cinemas, have also been virtually excluded from accounts of transnational cinema. Polish Cinema in a Transnational Context addresses this lacuna in film studies by examining the international reception of Polish films in Europe and North America, Polish international coproductions and the presence of Polish performers in foreign films, and the works of subversive emigre auteurs like Andrzej Zulawski and Walerian Borowczyk. Authors in this collection present familiar films and filmmakers in a new and revealing light, while also shifting the focus to lesser known filmmakers and aspects of Polish cinema. The resulting volume moves discussion beyond the border of Polish national belonging. Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Naripea, Izabela Kalinowska, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen, Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta OstrowskaBR> Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer in media at the University of Salford.
This book draws on social theories to understand lifestyle migration as a social phenomenon. The chapters engage theoretically with themes and debates relevant to contemporary social science such as place and space, social stratification and power relations, production and consumption, individualism, dwelling and imagination.
Over the last three decades there has been an ever-increasing interest in the analysis of spoken interaction. Work on casual conversation, which for a time was found to present virtually insuperable problems to the analyst, has now come to occupy as prominent a place as institutional interactions. Many approaches to casual conversation have been partial, and the author's own seminal publication with Suzanne Eggins, "Analysing Casual Conversation" (1997) was a milestone in demonstrating the value of locating the analysis in a broad framework that was inspired by Halliday's "Systemic Functional Linguistics". In this new book, Slade amplifies and extends that earlier work, presenting original case material and expanding on her claim that the 'chunks' of genre-based analysis need to be supplemented by the concept of 'chat.' She presents a framework and the tools for describing the dynamics of both the macro and the micro structure of conversation as it creates and recreates social relations. All those whose interests lie in understanding how language works in casual conversation, whether in linguistics sociolinguistics, educational linguistics or cultural studies, will find this an essential read.
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